Thus, such pieces of music are not required to build detailed audiovisual interactions. Known as gekiban, this approach is based on the use of recurring pieces of music that serve as commentary for characters, locations or moods. ![]() This fact is related with the overall approach to music that consolidated in Japanese cinema and audiovisual entertainment during the 20th century. In this sense, a lot of music for Japanese animation is written before the animation itself, without following the rhythms or other precise needs of actual film sequences. The musical ideas that emerge within an image album are likely to become prominent features of the final score. This leads to the release of a CD album that anticipates by several months the debut of the production. ![]() ![]() Composers for films, TV shows or videogames are usually asked to write music during pre-production stages, using storyboards or concept art as a source of inspiration. "Image albums are a distinctive trait of Japanese animation as a whole.
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